I walk to the turning grounds. It is warm and the drying mud tightens
its grip on my forehead. The earth is loose underfoot and releases my
feet without effort. The mud is never dry in Clabby, but today it is
about as dry as it got, especially here by the turning grounds, where
a solid footing is useful when you’re trying to lift something
heavy.
I sit down on the
viewing trunk beside Hansa, of the Morovan. She is watching Senna,
who folds reeds from the river into plaits and twists them into
little figures. He is of the right cross-combination. They’re good,
his reed characters, but she won’t tell him. Neither will I. It is
unseemly to address the performer about his feats. In any case, it is
Cullen I am here to see.
‘Well,’ I say,
whispering.
‘Well,’ replies
Hansa.
‘On a free are
you?’ she asks.
‘Yes. To work on
the recounting.’
‘Well? How are you
getting on?’
‘It’s coming
along,’ I say.
I
take a quick glance at Cullen. He has been there the whole time,
exercising away, but it is the practice not to acknowledge the object
of your attention straight away. He is waiting for my look. I take a
moment then turn my head towards him. In response, he throws the
cloak from his shoulders to reveal a bare, unmuddied chest. It is
rare to see such abundance of bare flesh and I feel a twinge at my
knees.
I am twenty-two years old, and I have not chosen a partner. I am from
the Doonish line, so I am restricted to a partner from the Morovan or
Engen line. There were five extended families who followed the Gaffer
up the mountain in the days when the worship was at its strongest –
the Doonish, the Morovan, the Engen, the Torrain and the Abercarn.
When they decided that there was no going back to Chiram, the Gaffer
brought in a proliferation regime, which meant that only certain
pairings were allowed. This was based on similarities between the
clans. The Doonish and the Abercarns both tended to have fair hair,
so it was decided that they couldn’t pair up in the beginning in
case that this was a result of some unknown family connection. The
Engens and the Morrains had the same laid-back temperament, it was
said, so pairings between offshoots of these families were also
forbidden. In the six generations that have since passed, such
distinctions are no longer there, if they ever actually existed. It
is difficult to tell what colour anyone’s hair is around here, we
are always so caked in mud.
I have three potential partners to choose from. In the Morovan line,
there is Jakon, but he is only fifteen and much too immature to be
brought into the conjugal hut. Although it wouldn’t bother some.
Among
the Engens, there are Cullen and Roan. Cullen is my most likely
suitor. He is about twenty-five, the oldest of his siblings. Last
year, he was overlooked for one of his younger clan-brothers, Storn,
who paired up with my clan-sister Lasar. I’m sure it was painful
for him. I almost want to choose Cullen as a partner simply to redeem
him.
There
are two kinds of performers at the turning grounds: those who show
arts and crafts, and those who show strength. Cullen began with the
feats shortly after he was passed over last year. He sang to begin
with, but his singing was akin to the sound of some wounded animal.
His terrible version of ‘Heart of earth, eyes of water’ still
resounds in my head during quiet moments. Quickly recognising his
weakness in this, he soon moved over to the feats of physical
strength.
I like him, but I
haven’t decided yet if I will choose him. Despite his obvious
strength and fitness as a partner, somewhere I feel pity for him. You
can sense the effort it takes, squeezing himself into the mould of
our expectations.
We rebel in our
first age of wisdom, convinced we’ll never oblige ourselves to
follow the rules of the village. As we get older, the pressure of
co-living loads its burden more heavily onto our shoulders. I’m
sure when Cullen was passed over for partnership, that part of him
thought he had succeeded. But the pity he received after his younger
brother was chosen ahead of him - he probably hadn’t expected that.
It is fine to be a rebel, but not if you’re the only one. There is
only one route towards adulthood for Mudders and that involves
partnership and bringing children into the world. It would take
someone with a very strong will to choose another path.
I
kissed him once. Cullen. I’m sure I have. I’ve probably kissed
every male in this village within three orbits of my age, whatever
their cross-combination. Sometimes more than just kissing. It is the
same story for everyone. At the festivals - Sunstop, Harvest,
Glorious Exile - it is typical for those at first wisdom to get hold
of some fermented chope leftover from the meal and drink until reason
goes into exile. Those at second wisdom know it goes on, but they do
nothing to stop it. Perhaps they acknowledge the burden of such slim
choices and allow us to behave recklessly while we can. You can’t
be too reckless, of course. If you found yourself carrying a child
from the wrong cross-combination, there would be serious trouble. How
serious, I don’t know - I have never known it to happen. We have
seen females choose
a partner and deliver a child within a shorter gestation period than
normal. But it doesn’t pay to think too closely on that.
My
slowness in choosing a partner is the favourite topic of conversation
among my clanfolk, and I prefer to keep them guessing rather than
explain my intentions. Not that I really have any idea about what I
want to do. With this seeing sickness, it is hard to look too far
into the future.
If
I could think of a way to get out of it, I would. I can’t think of
anyone I would like to spend time alone with in the conjugal
dwelling, while your neighbours giggle behind their hands outside. As
a youngster, I was taught about how a male plants his seed and I
still don’t understand exactly how it could possibly work. Then the
bleeds began. It is all so primal, so beyond rational thought.
‘What are you at
today?I ask Hansa, looking elsewhere, pretending I have
not noticed Cullen throwing off his robe.
‘I’m at the
earth chamber,’ she says. ‘Very quiet today.’
‘How many have
been in?’
‘Just one. You
know who.’
She was talking
about Baran. He is the only one who closely followed the old
rituals, always in the chamber honouring our ancestors, making Turas
at the cleansing hut. Few people find time for that any more. Once a
year, on the anniversary of the exit, we spend the morning in Turas
before the big meal. That is the extent of most people’s engagement
with the worship these days.
The story has been taken without consent; if you see it on Amazon, report the incident.
‘He
wasn’t happy,’ she says.
I
throw my eyebrows up quickly. This is me saying he is never happy.
Hansa smiles in response.
‘I
know.’ She twiddles a loose fibre at the base of her smock, waiting
for the mirth to blow by. ‘He was going on about the visitor,’
she says finally. ‘Honrick, I suppose we’re to call him.’
‘What
did he say?’
We’ve
been whispering, but now the volume lowers again and I have to lean
in to hear.
‘That
he’s been showing things to the Mister. These sheets he has
brought. They show his way of living, you know, down in Chiram.’
‘Sheets?’
I say.
‘Like
sheets of fabric.’
‘Another
Magward?’ I say. I can see why Baran doesn’t like it.
‘Baran
thinks that the Mister is getting too close to him.’ She shuffles
closer to me so that her hip touches mine, then turns her head and
lines her mouth up with my ear.
‘He
said that he heard the Mister call him Usal.’ She says it so
quietly that the breath scarcely leaves her mouth.
‘No,’
I say.
The
only Usals we have ever known are Usal Gracey and Usal Whistlebine,
the people who helped the original nine when they fled from the city.
Usal Gracey helped them escape and Usal Whistlebine provided them
with food in the early days of the settlement. It is an old word,
from the language as the Gaffer spoke it. We wouldn’t use it in
everyday exchange. It means ‘noble’ or ‘honourable,’
something like that, but its true meaning has never been explained to
me. I’m sure the Mister doesn’t know any more than I do. I never
thought of it as a title that could be gifted to someone else.
‘So,’
she says, giving me my space once again. ‘A lot is changing around
here.’
‘Did
he say anything about the Magward?’ I ask. ‘The new one, I mean?’
‘No,
but I expect we’ll hear something soon enough,’ she says. ‘A
story like that doesn’t stay secret for long.’
I finally look up to
watch Cullen’s performance. He begins with a routine of the
swinging of two solid tree stumps, the ends tapered and carved into
handles for better grip. His shoulders and chest expand with effort
as he manipulates his burden, his silver eyes beaming intently from
their cavities. There can’t be anyone stronger than him in Clabby,
I am sure. He has been performing these feats for too long.
I
want to ask Hansa more, but Cullen’s performance has begun and it
would be a grave insult to look away now.
Cullen
has finished with the stumps and is now in a sitting position,
lifting his backside from the ground with vibrating arms. Maybe I’ll
just choose him, I think, and get it over with. I’ll place my hand
on his shoulder and say .
That’s all it would take to be free from these burdens.
So,
I rise from the low tree trunk, and wait for Cullen to finish his
repetition. Once he has finished, he sits on the floor, gathering
fast breaths into him, his chest shining with perspiration, trying
hard to assume a dignified expression. I feel Hansa’s gaze from her
seat below me. After a moment, I give Cullen a nod of appreciation
and I leave without a further word.
***
I
had planned to meet up with Cluder to have another look at the
recounting, but I need solitude after a long day of exchanging with
others. I quickly make my way to the workshop, following my mother’s
memory lines, trying not to step in them.
I
discard my cloak, then throw a handful of fuel into the fire. I take
a moment to rub my hands together in front of the new warmth,
clearing the excess earth from my finger pads. Then, taking my
position on the stool, I pump my foot and squelch my fingers into the
spinning clump of dark clay.
I
make fripperies when I am concentrating on something. Beakers, vases,
bowls, I could craft these in seconds without really thinking. A
quick birl of the wheel, a caressing press, two sets of clawed
fingers creating a hole. The shelf above my head groans with assorted
vessels, glistening after their hinch-bake. At my feet are dozens
more which I haven’t managed to glaze yet. Some of them are
starting to lean or collapse in on themselves.
Mister
Artain was the fourth Mister. She endured many difficulties during
her time and did not achieve all of her aims. Her reign followed the
reign of Gansmal Morovan, which, as Ardo has recounted to us many
times, was one in which great hopes were smashed by grave
disappointments. As we know, efforts to re-establish links with the
Gaffer’s original homeland in Chiram did not bear fruit. When the
Gaffer, who was by now very old, learned that his old neighbourhood
had been wiped from existence, he sank into a pit of nostalgia from
which he did not resurface.
Sometimes
I abandon the wheel and set about moulding the clay by hand into less
practical, decorative pieces. People seem very pleased with my
recreations of the Barr Hut – there are versions of it in every
dwelling in the village. But today, I focus on the simple, repetitive
stuff. The click of the pump and the gentle turn, the wet earth
becoming smooth in my fingers. It ignites my memory.
When
Gansmal Morovan died soon after, Artain inherited a depressed
community. What’s more, she had health issues of her own. Her feet
were a damnable curse, beset by a constant barrage of rashes, itches
and irritations. Unpleasant rumours said that she wore sandals while
away from the eyes of others, to protect her feet from the
aggravating dirt and moisture. Some criticised her weak feet as an
indication that she was not fit to be Mister –
Another
handful of clay – the one thing we have plenty of.
Mister
Artain brought about many developments that continue to this day. It
was she who decreed that males and females should have separate
quarters. The future harmony of the village would only be secured if
we got rid of the idea of small family units separated away from each
other. We would only survive, she said, if we learned to treat
everyone equally, regardless of their blood connections. As we know,
this philosophy endures. It is central to our continued prosperity.
Maybe
a pause here? When I am recounting it. Or perhaps it would be best to
run through it quickly, not giving them a chance to contradict me.
Despite
her achievements, she is still known by most as the ‘sandal-wearer.’
But she should be remembered for more than this.
The
wheel has slowed now. I have not yet placed another handful of mud
onto the platform.
I
absently rub my wet hands on the woollen sleeve of my smock, my foot
still working the wheel. I find my attention drifting to the shelf,
to the half-dozen angular blocks I made during my memorisation the
previous day. These might be the simplest of all of my absent-minded
creations, but I wondered if they were the most practical. We used to
build with bricks, back in the early days of the settlement, but a
wave of radicalism had swept through during the time of Mister Gween,
which said that we had strayed too far from the original teachings,
that bricks were a corruption of our sacred earth. The kiln was the
only brick-built construction to survive. Without the kiln, it was
reasoned, we would be without one of our key enterprises. I couldn’t
even imagine what a brick dwelling might look like.
All momentum now
lost with the memorisation, I comfort myself with the fact that I am
making progress. I have split the account up into five sections, one
for each finger of my hand. I can get through two of them without
stopping, before it begins to fall apart. Of course, who knows how I
would perform once I stand in front of the public on the anniversary.
I might not have a word to say for myself.
Mister Artain was
the fourth Mister, the first female Mister that Clabby ever had.
I would repeat this first line until I was certain it had stuck, then
I would add the second line and repeat the two together until both
were stuck. Then I would add the third line, then the fourth line and
so on. This was my method.
I have also made
markings to denote each of the phrases, trying to make the task
easier. The first marking shows four lines standing alongside each
other to denote ‘fourth.’ On top of that, I scratch a circle –
that means ‘female’ - then on top of that, a triangle to signify
‘Mister’. The problem is that I don’t have a good place to make
the markings, to fully work them out. I scratch the marks on the
walls of my workshop, and sometimes on the floor, but they don’t
stay there for long.
I lift my foot from
the pedal and the wheel stops spinning. I think about what Hansa said
about the visitor.

